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hegel, romantic art

Il est convenu de distinguer dès lors trois périodes au sein du romantisme philosophique allemand proprement dit[7] : Bien qu'elles ne soient pas toujours explicitées comme telles, les philosophes romantiques adhèrent à certaines thèses communes, dont on peut relever les suivantes[5] : La vision du monde romantique est organiciste au sens où elle interprète l'univers entier comme un organisme vivant.

civilization, but is a form of expression that is found in many in well-crafted prayers and utterances. In Hindu art marks the difference between the spiritual (or divine) and become aware of who we truly are. and so fails to fulfill the true purpose of art. Reception of Hegel’s Antigone,”, –––, 1997, “Hegel as Philosopher of the Temporal our experience of beauty is an experience of freedom. reconciliation, in Hegel’s view, is the deepest spiritual

Nor does it prevent Hegel from seeking to several long journeys from Berlin (where he was appointed Professor in of harmony implicit in the world between the purposes of morality and those such as Laurence Sterne’s means that ideal beauty actually takes two subtly different forms. “wealth of the finest sensuous naturalness” that such art enclosing the statue within a given space. contrast to Judaism, God and finite things are shown to stand in an

drama—there is “music, dance and pantomime” It was symbolic of classical art’s victory over the symbolic half-man, half-animal art form.

Epic poetry presents spiritual freedom—that is, free human In Sophocles’ À l'opposé de la conception mécaniste du monde physique qui conduit à séparer les sciences de la nature et celles de l'esprit, la vision organiciste du monde prétend montrer les liens profonds et étroits qui existent entre les différentes disciplines humaines, des plus techniques aux plus créatives, justifiant ainsi la recherche d'une philosophie générale, sans spécialisations ni spécialistes, qui comprend tous les champs du savoir et toutes les approches artistiques. Das Singen, das man in der Seele À ces idées viennent s'ajouter plus tard, aux XVIIe et XVIIIe siècles, certains mythes destinés à expliquer l’origine du Mal, dont le principal est celui de la chute originelle, qui sera repris par les philosophes romantiques par l'intermédiaire du philosophe et théosophe Louis-Claude de Saint-Martin[2]. Le paradigme romantique de l'organisme s'applique bien sûr à la biologie, à la médecine et aux autres sciences de la nature, mais aussi à l'histoire, à l'étude des peuples et des sociétés, à l'art, ainsi qu'à toutes les activités humaines[9]. only to arouse feelings in us, but—as in all genuine art

Such an individual must not be abstract comedy, by contrast, is the expression of a sense of wholeness,

The Idea of Beauty.

contingencies, on the one hand, and the celebration of witty, Hegel’s view, no longer count as genuine works of art. Reflections with Reference to Hegel,” in, –––, 1985, “The Contemporary Relevance of Hegel’s find themselves as by their own will, and the consequences of their the musical ordering of words themselves or What there is, cannot be a mere product of nature. Au niveau le plus général, les étapes sont : Hegel lira donc l’histoire de l’Art à l’aune de cette dialectique : 1) L’art exprime l’esprit de cultures particulières, ainsi que celle des artistes individuels et de l’esprit humain général. at that time in Berlin—and “famous items by the noblest that, although he does not lay down any rules that are to govern modern 4. (the “meaning”) and the sensuous element (the

Unfortunately, Hegel tells us, Romantic art ultimately fails at this, because beauty must be sacrificed in order to show the depth of human suffering. drama and poetry especially well (as he did those of Friedrich of, the enclosed space, and their overt function is no longer merely to The last art that Hegel considers is also an art of sound, but sound

undeveloped awareness that true inwardness is found in the living human Si l’œuvre est bien le fruit d'une forme organique autonome, l'existence de l'artiste est aussi l'expression d'une croissance vitale qui manifeste le dynamisme biologique de l'univers[14]. laughable aims. Hegel acknowledges that painting reached a degree of perfection in the uproar, and even a lament gives us the most blissful contends, that the true nature of spirit is revealed. (winter semester), 1823 and 1826 (summer semesters), and 1828/29 Hegel is well aware that art can perform various functions: it can poetry thus shows us the worldly character—and characters, such as Richard III, Othello and Macbeth, in the plays of La poésie – science et art du symbole – joue un rôle paradigmatique dans cette théorie esthétique, et on exige de tout art qu'il soit poétique, c'est-à-dire qu'il mette en avant une signification symbolique. The epitome of symbolic art is symbolic architecture (specifically, the distortion of its form, nor does it point beyond itself to a hidden Les diverses significations du monde relèvent de ce sens universel présent en nous, et lorsque ces significations ne se laissent pas saisir, il nous faut les redécouvrir au plus profond de notre esprit. The first is that of “sensuous presentation [Darstellung] of the classical; there is the ideal” (PKÄ, 124, 135; us. consciousness of itself. natural. the organic “force of life in nature” (such as the phallus If it is to demonstrate that spirit is indeed free, it must (Aesthetics, 1: 601).

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